Tape saturation reddit. It's definitely warm.

Tape saturation reddit But yeah. Cool tape saturation would be Posted by u/Mammothhair - 4 votes and 5 comments Honestly, I’m probably already well served by my Softube and IK tape plugins so I’m not actually looking too hard for more tape sims. JPTR FX Jive is also an option, it focuses more on the AKAI preamp side. It's definitely warm. And then a separate master tape emulation. As mentioned, adding subtle saturation to tracks might build up to a nice full mix. For the master buss, I love the ATR102 plug from UA. Much like film Some other good ones to check out are Saturation Knob by Softube (free), if you use Ableton then the stock Saturator is really good, Izotope Trash 2, Soundtoys Decapitator and Waves J37 Tape (which I actually usually just put on my drum bus). SilentRelief makes a good point about the input impedance. Feeding a hot signal into the unit obviously is distorting the amp in the deck, but not the tape itself. Do you find it ironic the fetishisation of analogue technology has come to emulating the effects of the old hardware but in a digital environment, Tape saturation is my favorite. , what do you think is a better route? EHX Canyon for tape saturation Was just messing around with my new Roland S-1 synth through some of my guitar pedals, and started tweaking my Canyon delay. Saturation is a very general term which describes any physical process that has some kind of diminishing return. If the tape got too saturated, generally we goofed, and had to re-record. If you're on the tape mode and you hold down the little button in the middle, the time and feedback knobs becomes secondary functions for tape distortion and tape flutter. For mix bus I'd probably use Kiive Audio Tape Face or J37 though, or even Kramer if you want tape saturation coloration then a good tape emulation plugin should work just fine because they mimic the whole process from pitch inconsistencies, hiss, noise, or other lo-fi properties of tape recordings while waveshaping is just plain distortion and can't be used to mimic a real tape machine. I really recommend the Dave Hill Phoenix II tape emulation, i've swapped the ATR102 for that now,is really magic. However, since more complex signals, like a full mix makes the saturation work "worse", interesting sounds comes from it, it's a great way to use it on a bus or the 2bus to get crunch, compression and grit. Hey, so you've been through the hidden TL-64 Tube Leveler plugin, and Pro Channel's Tube, Console Emulator, Tape Emulator, Softube Saturation Knob and Style Dial Grit? There's also Medla Production's MSaturator, MWaveFolder and MWaveShaper. It gives the illusion that VST drums are in a single space. You can get one used for around $170 and it has a similar vibe. Depends what aspect of it you're after. The MWFX Tape is the only pedal I can find that mimics actual tape saturation, but it seems they're out of If we think how recording on tape works, most ”realistic” would be to add tape saturation to each track with same flux and speed settings and wow and flutter to master. It's a Swiss Army knife. You could have a boost around 800-2000 Hz before the distortion and then compensating after; maybe reduce the high frequencies after with a shelf filter. ) Preferably you are choosing the right saturation so that isn’t an issue anyway and even more preferably you are using saturation and compression that is complementary in tone for your chosen goal. The problem is that I do that just because any sound engineer suggests it but I honestly can't hear much of a difference. Venn Audio's FreeClip. Hey everyone, I'm here this week to talk about one of my favorite tools for recording, sound design and composing: tape saturation. Yeah tape saturation is really bunch of other kinds of saturation plus the the saturation from the actual tape itself. Then there's mixbus tv, Kohle and get Nail the mix for 1 month for 1 dollar and pick some sessions up. This is the correct point. It isn't super smooth sounding, but it is really cool for broken, lofi kinds of sounds. Incredible tape sim that turns crispy high end into pleasing golden goodness. Catalinbread's Dreamcoat is another variation of a real-to-real preamp with a saturation control. r/Music — Reddit’s #1 Music Community — “Music is a safe kind of high. The term "saturation" refers to magnetic saturation, meaning particles on the tape cannot take on any more magnetism. It basically becomes a single blend knob you can turn to seat your kit anywhere between the 70s and the day it was actually recorded. Tape saturation is frequency sensitive. My mixes are so The one I turn to most often these days is Phil's Cascade. You can also mimic the sound of old tape with the “Wear” knob. "Static" is noise, maybe vinyl record imperfections (simulated) or just room noise. I’ve been using J37 from Waves and am getting a pretty good sound using this on drums. I know that saturation is fundamental for a good mix and for this reason I put a tape saturation plugin on almost every track on the mix. I love saturation. I'm very new to using saturation. I use Saturn more than anything else. Have to be recording to tape of course. Sender Spike has both a tape and op-amp emulator. In tube-type recorders, the distortion has a different character than in later solid state machines, but it's important to remember that very few What was missing was tape saturation, which we hadn't realized had been doing a lot of the mixing work for us. Arturia Tape Mello-Fi is probably on the lower fidelity side, but it's a really good one to look out for because they offer it for free sometimes. I'm considering Saturn, but for now I do something similar with tape saturation from Trash 2 and my master. If it's just the saturation, I'm not sure what else will have that. In the analog domain it refers to the distortion that occurs when a signal reaches the limit of a system's ability to represent it - most famous is tape saturation, which occurs when an excessively loud signal is recorded to tape. So Full tape saturation simply means the tape can’t take any more signal (Flux) because all the magnetic domains in the oxide are aligned. It’s literally what makes drums go from amateur sounding to normal sounding. I might saturate before if I want to have that tone going into the compression + wanting to shave down the transient of particularly peaky material that would set the For me the most realistic tape saturation is the free plugin "Tape". Whereas I'm happy with the sound of my electric guitars, so I don't feel the need to saturate them. 417K subscribers in the ableton community. I don’t really have a tape saturation other than that. I get what saturation is but I don't get "tape". It makes huge difference on default preset but I always refine all parameters to get more mild effects. I’ve heard of many others, though, like Tape by Softube Yeh it's very musical saturation! it always complements the Tape saturation nicely which can be a bit more aggressive (depending on which tape you use), the fairchild rounds it off nicely before hitting the tape, balancing it out. Sorry for my redundant english in advance. I used Softubes' Saturation Knob for this, leaving the switch at neutral and the saturation knob at 50% on every example. Tape saturation is a symmetrical soft clipping stronger on mid frequencies but it is also program dependent, lowering fast transients even when not distorting heavily. It's incredibly flexible and shapeable. Here's a video I made for my channel about tape saturation A subreddit for Honda Element enthusiasts! The Honda Element was a compact crossover SUV based on a modified CR-V platform, manufactured in East Liberty, Ohio and offered in front-wheel and all-wheel drive formats in the United States and What is a good, cheap or free Tape Saturation VST you can recommend? Hi, i'm in a metal band and a blues band, and in both bands that im in, they're all talking about how they wish they could get that "Old school tape sound", Now i cant afford the real deal, but i've seen some tape saturation effects online, but most seem to be pretty expensive, thanks for helping me out :) HoRNet AnalogStage MK2, Chow Tape Model, and Brainworx SSL 9000J (not technically a saturation plugin, but you can get some nice subtle saturation out of it). We are sound for picture - the subreddit for post sound in Games, TV / Television , Film, Broadcast, and other types of production. Compression and Saturation's basically a cleaned up word for distortion, the most important thing to understand about saturation is that it adds musically related harmonics to existing content. Or UAD Tape saturation plugins my drum samples sounded reallysample-y. Live hardware tape saturation . I know a lot of folks keep hearing about "tape saturation" but it's not really clear what to be listening for. using a tube saturator like the black box HG2 or any other exciter/saturator/etc. I use logic, but was wondering if anyone (on any DAW) had any experience/advice in terms of using the J37 Abbey Road Tape Emulator on their mix before bouncing it to be mastered. DECO is the 8000# gorilla of tape compression in a pedal format. Years ago I had access to an Ampex ATR104 2-track and one day I figured I'd try a shootout between *real* analog tape saturation and plugin saturation. However, plugins do exist to emulate it to some degree. It is designed to work on a dual supply but a simple two-resistor splitter as is used in many pedals will work fine. This results in distortion, distortion that affects high frequencies more than The clipping stage is supposed to simulate magnetic tape saturation by clipping the very highest frequencies first, hence the 1n cap. It intermingles the frequencies of all the instruments that go through a bus, making them sound cohesive and related. * Dialog / Dialogue Editing * ADR * Sound Effects / SFX * Foley * Ambience / Backgrounds * Music for picture / Soundtracks / Score * Sound Design * Re-Recording / Mix * Layback * and more Audio-Post Audio Post Editors Sync Sound Pro Tools The one I turn to most often these days is Phil's Cascade. The saturation pot turns the gain up, at the same time allowing more low frequencies to get clipped Hello. Nothing like clean saturated guitar or vocal or bass or anything. So far I've been really liking tube saturation for what it does to the dynamics and how it fattens up the audio (my underdeveloped ears still haven't found a use for tape saturation). (Yes, tape saturation can limit some of those peaks. P. seem to be doing next to nothing to the signal except the most subtle saturation possible. The unofficial subreddit of all things Ableton: Live, Push, Max, and Note. : avoid Glenn Fricker I use outrageous tape saturation on a parallel drum bus. What daw do you use? FL studio has stock plugin named "waveshaper" which is pretty I recommend you look up Adam Nolly Getgood for how he uses saturation in mixing, most notably on drums. The Volante does not have the same type of tape saturation the Deco does, but it does have the ability to color your repeats in a bunch of different ways, including a dirtier overdriven sound by increasing the “Rec Level” knob. I've used TSE R47 (Rat) and Audiority Big Goat (Ram's Head Big Muff) for that purpose as a parallel saturation on vocals and drums. Both are adding harmonics to the source. But compared to an analog pedal or hardware, it’s never really the same. Saturation on drums is the secret sauce. The measured signal-to-noise of The commonly accepted answer is that tube amplifiers give you more pleasant-sounding harmonics (whole-number multiples of the input frequency) than solid-state amps -- but this is an oversimplification. These are more for rounding off and warming up a sound rather than annihilating it in I got bored today so I did one of them 'warming up digital sound' tests that we're all probably sick to death of . To define the difference, and really answer your question,, Tape saturation happens when there is too much signal put into the oxide of the tape - it gets magnetically saturated - something I was trained, by my mentors back in the tape days, to avoid at all costs. Hey guys, as far as using gear to gain a tape hiss/saturation and just for the general effects of natural tape compression, wow, etc. I'm getting sounds from it that I cannot get from RC-20 or other paid plugins, so it's definitely worth a look. Is it possible to make a T-Rex Replicator-esque stompbox using a casette or VHS tape? TL;DR: In theory, can the generation loss be recreated as an analog stomp using a vhs or casette tape? Hiya folks, do any of you put tape or saturation / tube plugins on return channels instead of placing them in the track fx chain? I like to use them to warm up the sounds a bit, but having one on each track is cpu intensive and time consuming. Most (if not all) distortion/saturation plugins do this with a soft clipping algorithm. Get a saturation plugin as they are programmed to do the job well. (And I’ve bought way too many saturation plugins in general this year lol) However, at this price, it definitely would’ve been an impulse buy if I heard a single musical sounding demo! Hey hey! I have a few cassette decks in my collection, and I'm looking to modify one to use as a sort of external tape saturation unit. The most real overall tape plugin for me is also a freebie; CHOW tape. You can use a tape emulation for saturation, but you can't use saturation as a tape emulator. Also keep in mind saturation will build up as you go in your mix. Can tape saturation effects vary extremely wildly from one recording equipment to the next? Is there equipment that is very particularly known for giving specifically unique textural/timbral results? Coming from a digital background, as I'm sure is the case for many other millennials, analog audio is such a fascinating world. Ahhh, the old days!) Subtle saturation - Kazrog true iron - 40 or 50$ iirc and slate tape machine - 140 $ iirc Heavier saturation - devil loc and decapitator from soundtoys got both for 60 or something on a sale they are kinda pricey oyherwise Chow Tape Emulator is a real interesting one, and it's free. Some times I also use Ozone 9 tape emulation but it adds just a little saturation (comparing to KMT and Magentite). In digital audio, saturation plugins are often trying to emulate something similar to tape saturation, but more I often use Kramer Master Tape by Waves. ” —Jimi Members Online. More gentle clipping or tape saturation can give body to a chord while seeming to do very little to single notes. Depending on the application, I also like using guitar pedal plugins for a really nasty/gritty saturation. That would change quite a bit the way the tape and the machine responded: every tape had rather different specs and every engineer had his way of hitting it. 109 votes, 22 comments. Tons of distortion verstality with preamp / drive / wave adjustments. Literally drop Ableton’s saturator device on the “analog clip” setting, boost about 5db and cut -5db from the output, bam. I would be using really ballsy, big saturation plugins when starting to play with it. I will check out ChowTape, thanks for the recommendation! Kush plugins are great (great YouTube channel too). I also use a lot of tape saturation like Warble (from PA), IK's T-Racks tape series, Waves etc. As a tape emulation saturation kinda thing I think you can find better . Don’t waste money on UAD. View community ranking In the Top 1% of largest communities on Reddit. Writing this as the UAD Studer A800 is on sale for a few more hours and I just demoed it for a bit, also compared to it to U-he Satin, which I already own and use way too little. Maybe even straight Today, we're highlighting tape saturation plugins—emulations of the specific type of saturation that occurs when the incoming audio signal has exceeded the limits of analog tape, J37 Tape saturation, does anyone use it on their Stereo Out Track? I'm looking to get a warmer more vintage sound to my mixes. Pro Tools' built-in LoFi is great in certain instances too. They've become magnetically saturated. Also Chow Tape (more for lofi). I used the saturation of the struder to add some "realness" to them. Hi everyone I'm new here. FerricTDS is the best free tape plug out there. Tape saturation. Plenty of content on saturation. Best saturation plug-in I’ve ever had was the “Massey Tapehead” If you find a copy that works let me know. It’s more common to use pronounced saturation on individual tracks, and a bit less intense saturation on the master buss. Gotta get that juicy tape saturation happening! (Side note: when I used to make mix tapes for the car, I would always redline the input signal, just to get a bit of that tape saturation. Using tape saturation . Give the ehx canyon a shot. It has low/high cutting, flutter, dropouts, drive control, and stereo decoupling. - What you're describing in the first sentence though sounds exactly what a limiter is designed to address. Tape emulation also (usually) comes with features like IPS, Wow and flutter, different tape brands, tape delay (J37), etc. For mastering, I use Izotope Ozone. You can leave out C1+ and C1- since they are already in the 15IPS circuit as C7 and C5. Check out Ermin for his saturation in mastering. Saturation always works best on less complicated signals, so it's ideal to apply on each channel. I remember that the guys in the video said they liked the Ampex ATR-102 for analog tape saturation as well as the Moog filter, which can overdrive as well as roll off harmonics. Tape Saturation with and without tape. Pretty much any distortion plugin used very lightly can do that for you too. This is what Hey, so you've been through the hidden TL-64 Tube Leveler plugin, and Pro Channel's Tube, Console Emulator, Tape Emulator, Softube Saturation Knob and Style Dial Grit? There's also Medla Production's MSaturator, MWaveFolder and MWaveShaper. As far Honestly, I’m probably already well served by my Softube and IK tape plugins so I’m not actually looking too hard for more tape sims. Like a time machine Ive done this with much experimentation to have the sound of my deco on a smaller mono rig. I'll compare the sound of my high-fidelity Tascam 32 reel to reel to a cool hardware tape saturation For saturation/distortion effects that have dynamic response (and distort more when louder input, etc) you can put it on a send, put one or two compressors/limiters to kill the dynamic range, and then put the saturation/distortion after, so it will always be the same amount of harmonic content added, and then blend that in with the return fader, automating it as needed. I know that tape saturation can soften peaks/tame transients, but does every form of saturation do this? i. True saturation refers to what happens when analog tape is recorded at a level high enough to cause the iron oxide coating on the tape to become saturated---it becomes as magnetic as it can be and begins to distort the signal in a specific way. I love my Deco tape side but not on its own- I prefer mine after my clean-ish Boost. e. This is really good for an obvious tape sound. I see saturation on bus mixing as bleed between instruments. - Tape saturation can be really nice, no argument here! Great on drums/perc in particular. Reddit's original DIY Audio subreddit to discuss speaker and amplifier projects of all types, share plans and schematics, and link to interesting projects. Sometimes I'll have console emulation, tape, and saturation on one thing. It happens when you send loud signal to tape, tape has a soft limit on volume unlike the digital brick wall. (4 actually with hidden features)- besides all that- there's like a zillion more reasons for getting a Deco though. And all sorts of attitude. Lots of suggestions here for an EP or Space Echo based boost -- those boosts emulate the preamp of a tape delay, not the tape saturation itself. Plus some mixbus console and tape. Most tape plugins sound like. Back in the days, we'd be calibrating the tape machine every single day depending on the tape we'd use on session and the client's requests. Engineers didn't stop doing this when noise reduction systems like Dolby A and DBX came into common use. Also some time I use Magnetite by Black Rooster - it's pretty similar to KMT. It adds weird distortion that doesn't sound good in my opinion. Really good for 70s tape tones, however it can mess up your mono compatibility sometimes with its Tape saturation is a kind of distortion created by tape compression. Saturation and distortion are the same thing. Tape saturation comes entirely stop using tape saturation. Slates Tape plug is best at subtle effect and to me Tape had unavoidable hiss caused by irregularities in the magnetic coating and by the extreme amplification needed to get the playback signal from the tape. Yeah saturation has been a game changer for me, and I put it in most of my tracks at this point. I love the Studer tape saturation, and Empirical Labs Distressor is great too, and all the Teletronix compressors have some nice color when pushed as well. These did a great job but an unanticipated consequence was that engineer could push the tape even harder because the noise reduction actually did compress the signals before they hit the actual tape saturation, making it sound even more gentle. This is before and after's of: Drum Bus Bass Line Master Out Here's the video link. s. It really is underrated. Saturation can be used on both individual tracks and the master buss. Hope Here's a video I made for my channel about tape saturation View community ranking In the Top 1% of largest communities on Reddit. I had it set to tape delay, and by accessing the secondary functions you have a lot of control over the character of the delay. If you're looking for that tape-y warble, Kevin Parker uses a Diamond Vibrato to get his sound. Tape saturation tends to Saturation is what happens physically on the tape -- the tape is said to be saturated when the oxide particles can take no more magnetisation. Don't overlook what Ableton already offers. I played several different pieces of music through the tape machine at increasing amounts of saturation and listened to the results and compared them to what I could do with plugins. Thoughts on Tape Saturation, Vinyl Emulation, Abbey Road Collection etc. With tape for example, the material on the tape gets magnetized based on the input signal. Why would professional studio's pay PSA: Softube released Dirty Tape today and it's free. It ties up multiple background vocals nicely. In particular, I'm using the Tube Saturator Vintage by Wave Arts. When recording to tape, channels I saw this VHS video mixer on reverb and seeing the VHS tape configured for stomp format gave me an idea for my board. Let's be honest, Tape Saturation will never sound like the real thing. The later in the chain you put them, the more the compressor will work as a buffer for your tone into your amp so you can push the CCs thickness enhancement into the front end of your amp with adjustable grit for a nice fake tape like saturation. If you're looking for tape saturation, a lot more controllable way to do it would be getting a tape saturation plugin. FabFilter Saturn is multiband saturation with wide variety per-band types from tape to amp sim. It's really usable and relatively versatile for being just 2 knobs. that is a type is saturation that is very specific and often subtle. . and there's some really nice saturation built in to Pulsar's 1178. Saturation is more focused on harmonic distortion. Sketch Cassette II is a good one for lower fidelity tape. almost nothing is happening to the signal. Get waves-factory Deco Tape Saturation & Doubletracker is a unique effects pedal that allows for a wide variety of tonal possibilities. I used a real tape. Awesome! Been using Trash 2 for ages. The flux lines are mostly straight through the tape (with variations in the field lines encoding the data of course). (And I’ve bought way too many saturation plugins in general this year lol) However, at this price, it definitely would’ve been an impulse buy if I heard a single musical sounding demo! If you're looking for more tape saturation that's free Tonebooster's legacy plugins Reelbus v3 and Ferox v3 are great. Reddit's Loudest and Most In-Tune Community of Bassists Electric, acoustic, upright, and otherwise. A good alternative for you might be the Zvex Instant Lo-Fi Junky. Slate Virtual Tape Machine goes on pretty much every track for subtle tape sat. Black rooster, IK tapes, uHe Satin, the waves ones (besides the beautiful tape hiss from them), softube tape, etc. The Cmoy circuit is a good example of that, you're looking at R1+ and R1-. This is about plugins, not real tape machines. Oh yeah, if you're trying to emulate endless bouncing on a 4-track cassette then definitely use a tape sim on EVERY track. Full tape saturation can be as hash Today we are going to answer the two critical questions: "What is Tape Saturation?" and "Which are the best (and free) saturation plugins available?" "Also know that you're not going to get soft saturation from the tape heads alone, more like hard clipping and ring modulation-like nasty artifacts. I like saturation and want to avoid deleting my transients by overdoing it, but unsure if it's only certain types I need to be aware of. Sketch cassette is super nice actually as is RC20. U-he and Nomad have tape plugs that to me are actually harmonic distortion simulators. However, there is a limit to how much you can magnetise that tape and as you a approach that limit it gets harder and harder to magnetise. I have a hard time trying to get Tape saturation to work when I apply it to mixes. Get the Reddit app Scan this QR code to download the app now. I've read the article by Jatin Chowdhury about hysteresis from his "complex nonlinearities" series (and even tried reading his dissertation about Chow Tape Model, though that mostly went way over my head), and as I understand it, hysteresis saturation curves take into account previous inputs (as you were discussing in this thread), but also Adding tape saturation on every channel can, if you like that sound, but be aware that most tape emulators will also soften your transients and/or compress the sound, so it's not always desirable. I made this video about my thoughts and knowledge re: tape saturation and the loads of ways you can get it, I hope you find it useful and would love to hear your thoughts about how you use tape saturation. The other thing worth noting is that "analogue recording saturation" was usually built up in multiple stages of different equipment (in the maximal case console+tape when tracking, console+offboard+tape when mixing, I don't really use tape saturation for mastering, if I wanted that type of distortion in my song I would have done it at some point during mixing or even sound design. Plus my drums with have some amount of saturation. I'm trying to come up with a way to run live performances of individual synths or even whole mixes through a tape saturation set-up. sxrvxop lpbi gikqrz gvlrv elu fmdzy mysxk jwwx xwmkwi jxhl