Panavision lens. Close focus across the range varies from 10 to 29 inches.

Panavision lens Download . Building on the success of the C Series , the E Series offers improved optical quality, more sophisticated anti-reflection coatings, newer spherical components, and a refined optical formula with fewer aberrations. 6mm 5K Super 35mm Keeping with the form factor of Arri’s original Alexa camera while incorporating more recent feature advancements, the Alexa XT can be fitted with a Panavision lens mount and further supported with the Panavision Modular accessory system for streamlined on-set functionality. Apply today for a camera equipment grant from Panavision to support your project. Because of the variety of sensor shapes, particularly with large-format sensors, having different anamorphic Panavision Lenses. While the Primo 70s are undeniably sharp, the falloff Originally built for Saving Private Ryan, these popular lenses have become a high-demand member of Panavision's speciality optics inventory. 39:1 aspect ratio with Panavision’s industry-leading inventory of cinema optics includes anamorphic and spherical lenses offering Super 35 and large-format coverage for film and digital cameras. 5 and T4. Apo Panatar prism lens and Apo Panatar cylindrical lens . 3x anamorphic squeeze ratio that produces the artistic qualities associated with anamorphic lenses whilst using more capture area with modern digital sensors. The coatings and special internal characteristics of these lenses create flare and decrease resolution, contrast, and saturation. 1960. (Photo Courtesy of Panavision) This year, the Society introduced the Curtis Clark ASC Technical Achievement Award, which will be presented annually to an individual who has made significant technological contributions to the art and science of cinematography. These zooms cover a full range of focal lengths - with some overlap for flexibility - with performance equal to or surpassing most prime lenses. 65" (Panavision Size) Neutral Density (ND) Filter 0. Panavision Lens PV mount to RED DSMC2 Camera Body Abaptor, C7adapters, Very New. Panavision is an American motion picture equipment company founded in 1954 specializing in cameras and lenses, based in Woodland Hills, California. There are 18 prime Flare Lenses in focal lengths from 14mm to 125mm. Panavision T-Series Anamorphic lenses. 3x anamorphic squeeze ratio. 3 and close-focus distances ranging from 14 inches to 4 feet 11 inches. Panavision’s work with LightIron on the color science behind the camera, and its emulation of Kodak 5219 film stock, still holds up brilliantly today. G Series lenses are characterized by their high contrast, high resolution, balanced aberration control, excellent glare resistance, tightly controlled anamorphic squeeze ratio, low-maintenance cylindrical layout, Anamorphic & Spherical Lens Rentals Panavision's industry-leading inventory of cinema optics includes anamorphic and spherical lenses offering Super 35 and large-format coverage for film and digital cameras. is an American motion picture equipment company founded in 1954 specializing in cameras and lenses, based in Woodland Hills, California. Panavision’s newest lens series (for now), Ultra Panatar II lenses build on the success of the Ultra Panatar 1. Created with true vintage glass and coating, these lenses offer slightly Introduced in 2007, Panavision G Series anamorphic lenses combine the compact convenience of the C Series with the optical innovations of the Primo Anamorphic series. Fully sealed, weatherproof, aerodynamic, and easily able to maintain a proper centre of gravity, Primo X lenses feature a digital There are 18 prime Flare Lenses in focal lengths from 14mm to 125mm. $399. 18 watchers. Contact Us for Availability Panavision Lenses Matching the optical attributes of the standard Primo lenses, Primo Classic primes incorporate a different mechanical design that allows them to focus to a closer distance. Pre-Owned. Next is the Panavision Primo V line of prime lenses. All Panavision lenses are hand-assembled in-house and with the utmost care by our expert craftspeople. Exclusively from Panavision, the Mini LF can be rented with the Panavision Modular accessory system and a Panavised lens mount. It has the most comprehensive List of Panavision lenses of the books on my shelf: Primo L-Series Primo close focus lenses Primo Classic Series Primo Zooms Macro Zoom PWZ PNZT Primo 70 Series Primo Artiste Panaspeed Sphero 65 Super Panavision 70 Panavision System 65 Ultra Panavision 70 A United States patent US 5727236 was issued on 10 March 1998 for the lens and the Academy of Motion Picture Arts and Sciences awarded a Technical Achievement Award to Frazier for his lenses. Characterized by a graduated depth of field, predictable full-field performance at all apertures, a pronounced anamorphic flare, and a flattering bokeh, these lenses impart an organic Dec 13, 2024 · A Panavision PSR 200 film camera being used on the set of The Eagle Has Landed (1976) (Image credit: Getty Images / Mirrorpix ) 1. Here, cinematographer Phedon Papamichael, ASC, GSC (center) works with Dan Sasaki, Panavision’s senior vice president of Panavision Lenses. Panavision Macro Anamorphic Prime (MAP) lenses include five focal lengths from 55mm to 250mm. The true vintage glass offers slightly elevated blacks for softer contrast. With a softer look than Primos or Panaspeeds, VA primes offer excellent close Panavision Lenses. Since 1968, Panavision C Series anamorphic primes have been the go-to choice for filmmakers looking for a compact, lightweight anamorphic lens. Panalux unveils new lighting, power solutions complementing Panavision brands’ product portfolio at BSC Expo 2020. While the Primo 70s are undeniably sharp, the falloff Introduced in 2007, Panavision G Series anamorphic lenses combine the compact convenience of the C Series with the optical innovations of the Primo Anamorphic series. 6mm 5K Super 35mm Closest non Panavision lens to Primos . Panavision's industry-leading inventory of cinema optics includes anamorphic and spherical lenses offering Super 35 and large-format coverage for film and digital cameras. Today, Panavision’s anamorphic lenses cover multiple squeeze ratios, including the standard 2x, 1. The focal lengths in the Macro series range from 40mm to 200mm, with maximum apertures ranging from T1. PANAVISION G-SERIES. 60fps 40. Whilst the Primo 70s are undeniably sharp, the falloff Pair DXL2’s full sensor with Panavision’s large-format lenses to take advantage of shallower depth of field, greater magnification, and wider field of view. 1, with a close focus of 2 feet six inches). Family Matters: Natasha Braier, ASC, ADF draws on Panavision’s lens inventory to lend a texture of Read Article. Characterized by a graduated depth of field, predictable full-field performance at all apertures, a pronounced anamorphic flare, and a flattering bokeh, these lenses impart an organic Panavision Inc. STREAMLINED / LENS MOUNTS / ADAPTERS CAN YOU CHANGE LENS FORMATS WITHOUT CHANGING CAMERAS? (and still get through your shot list) IT’S COMMON TO USE A VARIETY OF LENSES AND FORMATS WITHIN THE SAME PRODUCTION ANAMORPHIC + SPHERICAL LARGE FORMAT + 35MM ASPECT RATIOS SQUEEZE FACTORS Which can Anamorphic & Spherical Lens Rentals Panavision's industry-leading inventory of cinema optics includes anamorphic and spherical lenses offering Super 35 and large-format coverage for film and digital cameras. New Tiffen 4 x 5. 8. The 90mm Macro focuses through normal magnification ratios to macro (1:1) and down to micro (where the image on the film or sensor is larger than life Panavision offers an array of spherical zooms, covering focal lengths from 17. Parts Only. Creative collaboration. As with the Alexa cameras, the Amira can be Panavised with a Panavision lens mount and Panavision Modular accessories. Which led to a discussion with my AC about what non Panavision lens is closest to the look. Explore our directory to find the Panavision office nearest you. Panavision created the Primo series of lenses in the 1980s. Ultimately, we chose to shoot in the Anamorphic 2. 3, respectively. 3x. Panavision’s unparalleled rental inventory is backed by the most comprehensive service and support the filmmaking industry has to offer. One of the fastest lens series available for large-format cinematography, Primo Artiste primes are the second series from Panavision to include a fully internalized motor and complete metadata compatibility. Explore Panavision’s exclusive proprietary lens series as well as third-party options. Anamorphic & Spherical Lens Rentals Panavision's industry-leading inventory of cinema optics includes anamorphic and spherical lenses offering Super 35 and large-format coverage for film and digital cameras. In a past episode we looked at another of Panavision’s anamorphic series of lenses, the Cs, which are probably considered their flagship product from the past - being launched in 1968. 4 across the range. Close focus across the range varies from 10 to 29 inches. The series includes 11 primes (in focal lengths ranging from 14mm to 85mm, with close-focus distances ranging from 2 feet to 2 feet 6 inches and apertures of T1. The camera can be outfitted with a Panavision lens mount for use with Panavision lenses, and the Panavision Modular accessory system adds further functionality and efficiencies to streamline on-set workflows. 26 shipping. Offering excellent veiling-glare resistance, a blend of technical aberration correction, and artistic nuances in the form of select aberration inclusion, Panaspeeds also incorporate improved features including no blue Panavision’s industry-leading inventory of cinema optics includes anamorphic and spherical lenses offering Super 35 and large-format coverage for film and digital cameras. It is compatible with all Panavision 35mm film lenses (spherical and anamorphic) and all standard accessories. Prep often includes a conversation between the filmmakers and Panavision’s optics team. Panaspeed spherical primes are a high-speed, large-format companion to 35mm-format spherical Primo optics. The T-series were utilized by Director of Photography Robert Richardson, ASC, on Once Upon a Time in Hollywood. The lenses are incredibly compact and lightweight considering all the glass elements require to produce an anamorphic image, making them the clear choice for projects requiring steadicam or handheld Panavision’s industry-leading inventory of cinema optics includes anamorphic and spherical lenses offering Super 35 and large-format coverage for film and digital cameras. Floating internal elements control breathing and allow the lens to maintain extremely high performance from infinity to close focus. We shot using Panavision’s VA series lenses, both primes and zooms, along with one expanded #Primo 11:1. 8, LWZ2 Panavision’s newest lens series (for now), Ultra Panatar II lenses build on the success of the Ultra Panatar 1. Best-in-class image control. I must say I’d never heard of them, but apparently they were used on shows like The Arri’s Amira offers an ergonomic design that’s well-suited to handheld, shoulder-mount operation. LEE Filters’ innovative product range is infused with artisanal care, offering cinematographers BTS of The Menu. Panavision also applied its optical expertise to spherical lenses, introducing Panavision Standard Primes in the late ’60s. Originally built for Saving Private Ryan, these popular lenses have become a high-demand member of Panavision's speciality optics inventory. The three longest focal lengths share a common speed of T3. Providing an enhanced user experience, the camera can be further supported by custom-designed Panavision Modular accessories and a Panavision lens mount. ” These takes were dumb and bad and some even Primo Zoom lenses are skillfully designed to enable seamless intercutting between primes and zooms. 3 across the range, from 18mm to 85mm. 9 and close-focus distances from 2 feet to 5 feet. Because of the variety of sensor shapes, particularly with large-format sensors, having different anamorphic squeeze ratios to choose from is an important aspect that ensures cinematographers can capture the maximum number of pixels Super Panavision 70 lenses are true vintage optics. All cameras across the Alexa range are compatible with Panavision lens mounts and the Modular accessory system. While their roots aren’t as deep as Zeiss, Panavision does date back to the 1950s. Here, cinematographer Phedon Papamichael, ASC, GSC (center) works with Dan Sasaki, Panavision’s senior vice president of The Alexa Mini LF combines the Alexa Mini’s compact form factor with the Alexa LF’s large-format sensor. The PanOptix is clinically shown to deliver an exceptional combination of near, intermediate and distance vision while significantly reducing Super Panavision 70 is the marketing brand name used to identify movies photographed with Panavision 70 mm spherical optics between 1959 and 1983. The new design features modern Today, Panavision’s anamorphic lenses cover multiple squeeze ratios, including the standard 2x, 1. Because of the variety of sensor shapes, particularly with large-format sensors, having different anamorphic Anamorphic & Spherical Lens Rentals Panavision’s industry-leading inventory of cinema optics includes anamorphic and spherical lenses offering Super 35 and large-format coverage for film and digital cameras. The Ultra Panavision 70 lenses feature a distinctive elliptical bokeh, vertical defocus, organic focus roll-off, and brilliant flares. Built with faster apertures, 65 Vintage primes capitalize on the Panavision Primo Anamorphic primes bring the superior imaging characteristics of Primo spherical primes to the anamorphic format. There's just something about the image they produce. Offering excellent veiling-glare resistance, a blend of technical aberration correction, and artistic nuances in the form of select aberration inclusion, Panaspeeds also incorporate improved features including no blue Panavision offers an array of spherical zooms, covering focal lengths from 17. 8, LWZ2 Panavision Lenses. Specifically designed for large-format digital cameras, the Primo 70 lenses feature internal motors and full lens metadata capabilities. Panavision also modifies ("Panavises") its third party camera and lens equipment in the interest of allowing clients to retain their personal Pair DXL2’s full sensor with Panavision’s large-format lenses to take advantage of shallower depth of field, greater magnification, and wider field of view. Panavision doesn’t sell any of their cameras, they’re only available through their rental service. It has since been replaced by Panavision System 65. These lenses offer high contrast and resolution, even field illumination, negligible veiling glare, and virtually no breathing. Panavision Lenses Since their introduction in the 1980s, E Series anamorphic primes have been a favorite for many cinematographers. System 65 optics render a warm, contouring image with pleasing flesh tones. It is one of the mounts offered with Panavision cameras and Panavision-designed lenses. Panavision’s Academy Award-winning series of Primo prime lenses combine high contrast, high resolution, and even field illumination with negligible veiling glare, ghosting, and distortion. Evoking a classic portrait look, H Series primes offer rounded, soft roll-off between the foreground and background, producing a pleasing skin-tone quality and a layer of depth that gives portraits and scenes a three-dimensional quality. Panavision Primo Anamorphic primes bring the superior imaging characteristics of Primo spherical primes to the anamorphic format. Basically faster wide angle C series. Angenieux’s range of Optimo zooms provide excellent contrast and color reproduction with no breathing. Xelmus lenses are sort of clones of older Panavision lenses and can be rented. 6mm 5K Super 35mm Panavision Lenses. Formed by Robert Gottschalk as a small partnership to create anamorphic projection lenses during the widescreen boom in the 1950s, Panavision expanded its product lines to meet the demands of modern filmmakers. These zooms cover a full range of focal lengths — with some overlap for flexibility — with performance equal to or surpassing most prime lenses. Prep often includes a conversation between the filmmakers and Panavision's optics team. Ever since the introduction of its Super Panatar projection lens in 1954, it’s spent decades at the forefront of panavision H Series is a traditionally designed spherical lens set with a glamorous, rounded, soft roll-off, giving a pleasing tonal quality to the skin. Panavision Primo V. The lens series has been Panavision has also been refurbishing and rehousing many of its other legacy lenses for contemporary use; the PVintage line, for instance, is a modern repackaging of their popular Ultra Speed lenses of the mid-to-late 1970s. The flexibility and excellent imaging performance of the Primo Zooms makes According to The Cine Lens Manual, there actually is a Panavision D series, which has always been a puzzling gap in the nomenclature. Panavision Lens Relay System. The lenses deliver more radiant flaring characteristics than their modern counterparts, with smooth texture, distinct focus roll-off, and low contrast. Opens in a new window or tab. PANAVISION H Series is a traditionally designed spherical lens set with a glamorous, rounded, soft roll-off, giving a pleasing tonal quality to the skin. Explore Panavision's exclusive proprietary lens series as well as third-party options. G Series lenses are characterized by their high contrast, high resolution, balanced aberration control, excellent glare resistance, tightly controlled anamorphic squeeze ratio, low-maintenance cylindrical layout, Jan 14, 2022 · STREAMLINED / LENS MOUNTS / ADAPTERS CAN YOU CHANGE LENS FORMATS WITHOUT CHANGING CAMERAS? (and still get through your shot list) IT’S COMMON TO USE A VARIETY OF LENSES AND FORMATS WITHIN THE SAME PRODUCTION ANAMORPHIC + SPHERICAL LARGE FORMAT + 35MM ASPECT RATIOS Panavision Lenses. Panavision 65 Vintage lenses are designed to evoke the feeling of an image from the past, with a soft contrast and gentle transition between coarse and fine features. The latest flagship camera is the Panavision Millennium DXL2, which was a collaboration between Panavision and RED’s This large-format entry in Arri’s Alexa digital-camera family records native 4. and lens filtration for filmmaking and still photography. Available to rent globally. panavision PanaSpeed is a large-format update of the classic Primo look. After Apple released a behind-the-scenes video about the production of “Scary Fast,” the Internet did its internet thing and questioned the “Shot on iPhone” claim, as if “Shot on iPhone” inherently means “shot with zero other gear besides an iPhone. They offer high contrast and resolution with even field illumination, and produce negligible veiling glare, ghosting, and distortion. These Walter Wallin-developed lenses were introduced in 1957 and 1958, respectively, for the MGM Camera 65 system (so-called due to the use of 65mm film). Anamorphic format is the cinematography technique of shooting a widescreen picture on standard 35 mm film or other visual recording media with a non-widescreen native aspect ratio. Here, she shares her journey from in front of . No need to say that Panavision Inc has a very large stock of 65mm cameras available. Created with true vintage glass and coating, these lenses offer slightly Designed for the 65mm film format, Panavision System 65 lenses deliver a “classic” look to modern large-format cameras. Characterized by a graduated depth of field, predictable full-field performance at all apertures, a pronounced anamorphic flare, and a flattering bokeh, these lenses impart an organic One result was the introduction, in 1968, of C Series anamorphic primes, which immediately became a go-to choice for cinematographers looking for a compact and lightweight anamorphic lens. Ultra Panatar lenses focus with cylindrical components, accentuating the anamorphic look much Panavision Lenses Panavision Super Speed primes were introduced in the 1970s to supplement the Standard Primes while providing higher performance and faster apertures. G Series lenses are characterized by their high contrast, high resolution, balanced aberration control, excellent glare resistance, tightly controlled anamorphic squeeze ratio, low-maintenance cylindrical layout, The Panavision group supports filmmakers working on movies, television series, commercials, and beyond, providing: film making equipment rentals for lenses, cinema cameras, grip, and lighting • stage facilities for filming • post-production services including dailies, visual effects, and final colour grading • and much more. With rental houses in the United States, United Kingdom, Australia, Canada, France, South Africa, and beyond, Panavision is always nearby, ready to support filmmakers with professional lenses and cinema cameras backed by industry-leading service. Formed by Robert Gottschalk as a small partnership to create anamorphic projection lenses during the widescreen boom in the 1950s, Panavision expanded its product lines to meet the demands of modern filmmakers. Compatible with a wide range of taking lenses, the Frazier Lens System (FLS) features a unique “swivel tip” that enables smooth panning, tilting, dutching, and rotation about the optical axis (through 360º, with unlimited global orientation) while the The Panavision Portrait Lenses provide a soft-focus look around the edges of the frame, leaving the center of the frame in sharp focus. Panavision Lenses Since their introduction in the 1980s, E Series anamorphic primes have been a favourite for many cinematographers. The Arri Alexa SXT offers similar features as the Alexa XT but with greater media compatibility. The compact and lightweight Alexa Mini can be fitted with a Panavision lens mount for compatibility with Panavision optics, and its versatility can be further enhanced with the custom Panavision Modular accessory system. Here, she shares her journey from in front of the camera to behind the lens. However, the T-Series, which was released in 2016, was designed specifically for digital sensors. Feature: Barbie Panavision’s current camera, the DXL2, uses a PV70 mount which can be easily adapted to either PL or PV. Panavision Lenses. Everything is kept up to date and ready to film. Advances in Cameras and Optics Panavision's Low Ratio Primo Zooms incorporate the latest optical and mechanical design and fabrication techniques, such as aspheric surfaces and linear bearings. 99. The patent was licensed to Panavision for production and marketing of the lens. Other modern cameras like LFs or Venice’s can also be easily modified to PV70, allowing any Panavision lens to be used. The coatings and special internal characteristics of these lenses create flare and decrease resolution, contrast, and Best-in-class lenses, cinema cameras, and accessories. The zooms are available in PL and PV mount configurations. 1 at all focal lengths except the longest, 180mm, which opens to T2. 3x anamorphic squeeze and compatibility with Super 35 and large-format camera systems. or Best Offer +$9. 4 (for the 50mm) to T4 (for the 200mm). The uniquely contoured bokeh makes the lenses particularly identifiable. Ultra Panatar II Introduced in 2023. These lenses offer great optical performance, with coatings to reduce flare and improve contrast. The camera features a fixed 172. The Sony Venice's specs offers full-frame capture at up to 6K resolution. Available globally. 3x anamorphic lenses developed for cinematographer Trent Opaloch on Avengers: Infinity War and Avengers: Endgame, delivering a 1. G Series lenses are characterized by their high contrast, high resolution, balanced aberration control, excellent glare resistance, tightly controlled anamorphic squeeze ratio, low-maintenance cylindrical layout, Aug 11, 2023 · Today, Panavision’s anamorphic lenses cover multiple squeeze ratios, including the standard 2x, 1. The following corporate and division logos are available for credits as well as print- and web-based marketing and sponsorship materials. After Apple released a behind-the-scenes video about the production of “Scary Fast,” the Internet did its internet thing and questioned the “Shot on iPhone” claim, as if “Shot on iPhone” One result was the introduction, in 1968, of C Series anamorphic primes, which immediately became a go-to choice for cinematographers looking for a compact and lightweight anamorphic lens. At top, ASC associate Dan Sasaki examines a lens projection. They combine new optical layouts Zeiss Super Speed MKII primes build on the successes of the earlier Standard Speed lenses, offering a faster maximum aperture of T1. With great flexibility and excellent imaging performance, this lens is equally suited to zooming and being used as a variable prime at fixed focal lengths. Zeiss Lenses Arri/Zeiss Master Primes offer focal lengths ranging from 12mm to 150mm, with a common aperture of T1. Alice Brooks, ASC was a child actor before discovering her passion for cinematography. Panavision Macro lenses match Primo primes in both color and performance. Panavision Ultra Panatar lenses capture a soft, glamorous, classic-looking image with a 1. With organic focus roll-off and Based on the award-winning Panavision Ultra Speed prime lenses, the PVintage series delivers superior mechanical performance while retaining the Ultra Speeds’ characteristically smooth organic imagery. Floating internal elements control breathing and allow the Primo X is the first fully internally motorised cinema lens specially designed for use on drones and gimbals. It also refers to the projection format in which a distorted image is "stretched" by an anamorphic projection lens to recreate the original aspect ratio on the viewing screen (not to be confused with anamorphic All Panavision lenses are hand-assembled in-house and with the utmost care by our expert craftspeople. 5K with a sensor that’s slightly larger than full frame. The lens was approved by the FDA in 2019 for use during cataract surgery and refractive lens exchange (RLE). Originally started as a manufacturer of anamorphic lenses for Cinemascope, the Originally released in 1968, the Panavision C-Series is an anamorphic set of lenses that are a favorite among DPs looking for a classic film look. Characterized by a graduated depth of field, predictable full-field performance at all Specifically designed for large-format digital cameras, the Primo 70 lenses feature internal motors and full lens metadata capabilities. 5mm to 600mm. Happy days! Panavision’s Low Ratio Primo Zooms incorporate the latest optical and mechanical design and fabrication techniques, such as aspheric surfaces and linear bearings. With subtle aberrations and rounded out-of-focus properties, Panavision Sphero 65 lenses offer distinct attributes that separate them from more clinical large-format lenses. Panavision VA large-format spherical primes combine vintage and modern optical characteristics in a compact, lightweight, fully modern mechanical build, delivering state-of-the-art capabilities alongside predictable vintage-feeling aberrations. With a look reminiscent of vintage optics, the series incorporates modern features such as focus-breathing control Panavision’s industry-leading inventory of cinema optics includes anamorphic and spherical lenses offering Super 35 and large-format coverage for film and digital cameras. The Anamorphic & Spherical Lens Rentals Panavision's industry-leading inventory of cinema optics includes anamorphic and spherical lenses offering Super 35 and large-format coverage for film and digital cameras. or Best Offer +$11. Here, cinematographer Phedon Papamichael, ASC, GSC (centre) works with Dan Sasaki, Panavision's senior vice president of optical This lightweight sync-sound camera easily converts from studio mode to handheld or Steadicam mode, with top- or rear-mounted magazine configurations. Advances in Cameras and Optics Introduced in 2007, Panavision G Series anamorphic lenses combine the compact convenience of the C Series with the optical innovations of the Primo Anamorphic series. Panavision Ultra Speed primes were introduced in the mid-1970s. Panavision’s industry-leading inventory of cinema optics includes anamorphic and spherical lenses offering Super 35 and large-format coverage for film and digital cameras. The Acrysof IQ PanOptix intraocular lens is the first and only trifocal IOL available for use in the United States. Pair DXL2’s full sensor with Panavision’s large-format lenses to take advantage of shallower depth of field, greater magnification, and wider field of view. Ultra Panavision 70 primes offer a soft, glamorous, classic-looking image with a 1. Panavision offers a comprehensive inventory of film and digital cinema cameras backed by unmatched service and support. 65x and 1. Panavision launched their G-Series lightweight anamorphic lenses that covered a 35mm frame in 2007. Brand New. Cinematographer Kramer Morgenthau ASC has stated in his work in Spirited: “We did extensive tests with many different lens and camera combinations. Panavision PSR 200 Studio Nodel ZC Zoom Control Unit-used as is untested. PANAVISION The Primo Zoom Lens family combines high contrast and resolution, even field illumination, and negligible veiling glare, ghosting, and distortion. Beyond cameras and lenses, Panavision offers innovative products and solutions developed to extend filmmakers’ creative flexibility. 9 #45650ND9. Characterized by a graduated depth of field, predictable full-field performance at all apertures, a pronounced anamorphic flare, and a flattering bokeh, these lenses impart an organic The “Filmed in Panavision” logo may only be used by productions that shot with Panavision anamorphic lenses. In addition to the stock inventory, Panavision offers some Zeiss Super Speed MKII primes as Panavision Lenses. 3x anamorphic squeeze and compatibility with Super 35 and large This large-format entry in Arri’s Alexa digital-camera family records native 4. The Ultra Panavision 70 lenses feature a distinctive elliptical bokeh, vertical defocus, organic focus roll-off, and brilliant Before we left Panavision we had the opportunity to see the original Sphero Panatar 450mm lens built for the mirage sequence in "Lawrence of Arabia". LWZ1 27-68mm T2. Cooke 5/i primes match other Cooke lenses while delivering a consistent maximum aperture of T1. An early example of Panavision’s commitment to providing filmmakers with unique solutions to meet their projects’ specific demands, the Sphero Panatar “mirage lens” was made for one specific shot in one specific movie: the long take in which Omar Sharif’s character of Ali appears on camelback from out of the Panavision Ultra Speed primes were introduced in the mid-1970s. Nov 27, 2024 · Sphero Panatar “mirage lens” Created c. 50 shipping. Also, the G Series (released in 2007) is known for its beautiful flares and bokeh, With subtle aberrations and rounded out-of-focus properties, the Panavision Sphero 65 lenses offer distinct attributes that separate them from more clinical large format lenses. . The overall performance of the Primo Zoom lenses enables seamless intercutting of shots from primes to zooms. The STZ maintains a constant aperture at all zoom and focus positions. The 30mm, 65mm, 80mm, and 125mm focal lengths also feature a user-adjustable element for dialing-in the desired sharpness or softness. Like their spherical counterparts, Primo Anamorphic primes deliver high contrast and resolution, Panavision Primo V lenses have been specifically designed for use with 35mm-format digital cameras, delivering the classic Primo look for modern digital sensors. Proprietary and third-party camera systems are complemented by Panavision accessories purpose-built to streamline camera builds. Ultra Panavision 70 was similar to Super Panavision 70, though Ultra Panavision lenses were anamorphic, which allowed for a significantly wider aspect ratio. The Primo lenses became a standard in the industry and were used in films like Titanic (1997) and Saving Private Ryan (1998). A Collaboration With Panavision: Alice Brooks, ASC The cinematographer retraces the path that led to her career behind the camera. Slightly green/blue tint is a little like Ultra Panavision 70 primes offer a soft, glamorous, classic-looking image with a 1. The Panavision VA Large-Format Prime prototype on the Sony VENICE . All Division Logos . Those lenses made their 35mm-film screen debut in that film. Dec 13, 2024 · Panavision is a brand synonymous with the movie industry. Sponsored. Zeiss Lenses Zeiss Standard Speed primes offer a shared speed of T2. Each download comprises a zip file containing both black and Panavision's Low Ratio Primo Zooms incorporate the latest optical and mechanical design and fabrication techniques, such as aspheric surfaces and linear bearings. 4 to T3) and one zoom (20-100mm T3. In 2003, Panavision and Frazier brought suit against Roessel Cine Photo Tech, Inc. The Panavision Portrait Lenses provide a soft-focus look around the edges of the frame, leaving the center of the frame in sharp focus. At T1. It consists of only two focal lengths, a 40 and a 50, both T2, released in the mid 70s. Moderate focus roll-off and blended layers of All Panavision lenses are hand-assembled in-house and with the utmost care by our expert craftspeople. 4, PanaSpeed will be the fastest large-format lens option available on the market Panavision Lenses. 8-degree shutter, full-fitting dual registration pins, and dual pull-down claws, and it is compatible with all Panavision 65mm lenses and 65mm accessories. The Panavision Super lenses had the resolution and depth to properly capture the patterns and colors, which was needed to Panavision Primo V lenses have been specifically designed for use with 35mm-format digital cameras, delivering the classic Primo look for modern digital sensors. The series offers focal lengths from 14mm to 150mm with lens speeds from T1 to T1. for violating the Panavision Lenses. Originally built for Saving Private Ryan, these popular lenses have become a high-demand member of Panavision’s specialty optics inventory. 2001: A Space Odyssey is known for its special effects, but did you know it was shot using Panavision? One iconic scene where Bowman travels through a kaleidoscope of co lors and lights was made using a slit-scan photography technique. Like their spherical counterparts, Primo Anamorphic primes deliver high contrast and resolution, even field illumination, consistent color balancing between focal lengths, and negligible veiling glare, ghosting, and distortion. Here, Originally built for Saving Private Ryan, these popular lenses have become a high-demand member of Panavision’s specialty optics inventory. Moderate focus roll-off and blended layers of contrast allow the lenses to capture pleasing flesh tones and a soft, classic overall look. Here, cinematographer Phedon Papamichael, ASC, GSC (center) works with Dan Sasaki, Panavision's senior vice president of optical A PV mount is a lens mount developed by Panavision for use with both 16 mm and 35 mm film and digital movie cameras of various sensor sizes. 2, while the 55mm and the 90mm offer maximum apertures of T2. Introduced in 2007, Panavision G Series anamorphic lenses combine the compact convenience of the C Series with the optical innovations of the Primo Anamorphic series. 17 watchers. Contact Us for Availability The biggest contributions to the panavision anamorphic look IMO is the coatings that give them the best flares and low contrast look, and the counter rotating element in the lenses that give it their unique focus breathing and extra stretched bokeh. Panavision LEE Filters division manufactures the highest quality lens filters, lighting gels, and lighting diffusion for both stills and moving images. 96 x 21. The series includes 11 primes (in focal lengths ranging from 14mm to 85mm, with close-focus May 9, 2024 · Panavision Lens Relay System. ltybbh_6 (40) 100%. Camera I've been shooting with Panavision primos on a few shoots recently and I'm really really impressed with them. Dedicated to low-light environment. jyxxe lgoj lefdkzd aktz ibgrz kwlbd bmwi aifxb wos xiieybk